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四虎影视

金三角群英会
香港粤语1992
陆军上校吴家丽带领一群防暴女战士在金三角要抓捕一个叫叶枫的牛比大姐大(贩毒持枪杀人控制无所不为的反派女英雄,这时候真在和SOMI带领的一群人做生意遭到出卖)的劲爆故事。 李赛凤开始莫名其妙跟一个鬼老打架,后来又跑出来BULLET大岛有佳丽和她会合去对付叶枫他们去。 看看RUDEBOY的IMDB评论 'Mission of Justice' is an offering from the girls-with-guns genre that probably isn't as memorable as 'Yes, Madam', the 'In The Line Of Duty' saga, or the 'Angel' films(which were made prior to 'MOJ' and also star Moon Lee Choi-fung and Yukari Oshima), but it's still quite entertaining. The film combines espionage and commando-like action(Moon Lee and Yukari Oshima even wear brown camoflouge)in a story that takes place in the Golden Triangle in Southest Asia. Moon(Moon Lee) and Bullet(Yukari Oshima) are two agents who work for the supposedly ficticious Anti-Crime League led by Colonel Carry(Carrie Ng). There's a prolouge where Gary Daniels and Moon Lee are hunting eachother. Why it happens in the film is difficult to explain. Moon and Bullet are sent to spy on a woman named Yie Feng, who runs white slavery, counterfeiting, and drug smuggling rings. Yie Feng plans on selling large amounts of narcotics to a man named Somi and his henchman, Hans. Moon and Bullet recieve assistance from Mr. Ma( of Station 'B', in what I have to assume is Burma). When Mr. Ma is killed and Moon and Bullet's covers are blown, they join Colonel Carry and her troops in an attempt to bring Yie Feng, Somi, and Hans to justice. As with most girls-with-guns actioners, the plots are somewhat sub-standard in quality, the budgets are miniscule, the music scores(assuming it's not stock music) sound like something from a 3M advertisement from the 1970' or 1980's. Yet, where else are we going to see gorgeous women with solid acting skills and amazing athletic abilities kicking #@$? Usually, not in Hollywood. I, personally, enjoyed the film despite its shortcomings. This film probably isn't the best from the girls-with-guns genre, but it's worth a look.

四虎影视

程婴救孤
中国大陆汉语普通话2008
豫剧《程婴救孤》来一段源于春秋时期“赵氏孤儿”故事,二千多年来在我国广为流传。元朝时被搬上了舞台,直到现在,京剧和其它地方剧种仍在上演《赵氏孤儿》,经久不衰。2001年,河南省豫剧二团将这一传奇故事改编排演成大型古装豫剧《程婴救孤》,该剧创排以来,先后在河南、北京、上海等七省市演出400多场,被戏曲评论界称为“一部伟大的悲剧”,近年来先后荣获国家文华大奖、第七届中国艺术节观众最喜爱的剧目、国家十大精品剧目和中宣部五个一工程奖优秀戏曲剧目。为将这一经典豫剧搬上银幕,满足更多戏曲爱好者的欣赏愿望,河南影视集团和河南省豫剧二团联袂合作,用现代电影理念和豫剧特有的艺术手法重新打造该剧,以求得电影艺术与戏曲艺术的完美结合,该片由河影集团朱赵伟任导演,河南省艺术研究院张平任执行导演,豫剧表演艺术家李树建担纲主演。为使该剧更适应电影艺术的表现要求,剧组创作人员从舞美设计、服装道具、拍摄手法等方面大胆革新,以大写意的美术设计方式代替了过于陈旧琐碎的美术设计,突出表现程婴等人物内心的感情宣泄,内容上保留并强化了程婴在危急时刻表现出来的“忠义”和牺牲精神,同时又赋予这种传统的“忠义”以新的内涵:程婴为救孤忍辱负重,不仅仅是忠君,更是为正义,为民族的命运,也为了自己心中的信仰。剧中程婴的扮演者李树建,通过“沉入人物内心世界”的表演,将主人公在正义与邪恶的较量中所展现出的人性光辉塑造得淋漓尽致。最后一反传统豫剧大团圆的欢喜结局,以程婴之死诠释了“悲剧是把人生有价值的东西撕碎了给人看”的命题,较之以往的传统正剧有了更深的思想意义与内涵。

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